


Anne
Germanacos
Casting
Toward
Invisible
Pools
My hands are fragile, liable to inflammation. Poor hands.
*
Here, wind blows a dainty song through the
turbines, amassing, filling up the batteries.
At lunch, we ate nine-month-old lamb, grilled.
*
Swimming backstroke, one propels oneself into
the unknown.
Even when she’s dressed now, my mother is
essentially naked. (Oh, all of us are, of course.)
*
Every day after lunch, I eat a few squares of
dark chocolate. I pretend that it’s nourishment but truly it’s a small
reprieve.
*
Fooling around with pain--it occupies me.
*
Hungry, but the kitchen floor is still wet.
*
The trajectory of one’s work may be shaped by the geography of the one’s body.
As my hands, which are in some sense little
tongues and mouths, lose elasticity, the continent of my work will
shrink. I will need to find tighter forms to work in, not wanting to
waste what usefulness my hands still contain.
*
The mid-night panic--awaiting details of a
death, flights looming, public appearance. A black dress.
*
Is honesty only one more self-deception?
*
From the NYT: “For the brain, remembering is
a lot like doing…”
*
Sugar and too much food weigh heavily on the
mind. Literally--when you eat too much, you can’t think.
*
The worm that came in yesterday on a handful
of roses was a kind of friend. I watched it circle a wide-mouthed cup
for hours.
I suppose you’ll think that was cruel.
*
between languages (mute)
*
I keep smelling fire but I can’t see any wind.
*
The soft place between languages where the
brain simply attends and mimics, dismissive of meaning. It’s easy to
get stuck there, entranced.
*
My husband and I are like Click and Clack. Or
Flick and Flack. Knick Knack? Knock Knock?
My brain isn’t cooperating but the weather is
gorgeous.
*
Outside, he’s cutting. Roots? Overgrown
vines? Leaves?
*
I hear wind in the turbines, making the
energy that allows me to see words as I type them onto this machine. It
is all his doing. I take not one bit of credit for this set of facts.
*
The cutting continues. Only something
concentrated like a rose bush could offer the constant snip I hear, as
if he’s cutting his nails or those of a tree.
*
Casting toward invisible pools--it’s the act
of casting that invents them.
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