


Courtney
Young
Lay
Your
Head Down
His
lover
is fictitious but he has no regrets. She has no name, so we’ll
call her Bluff. Bluff is no more than an image locked in a 3 x 5 popup
that settled into the top right-hand corner of his computer thirty
minutes before 5:00. At the beginning, she was nothing more than a
stain, a smudge, blotting the report that had clouded his desktop for
the past half hour. She gazed at him like the Mona Lisa, as if she had
a secret. He clicked off.
The
next
day, she appeared an hour before five and the next day and the
next and the next, a truncated body of primary-color pixels, with the
words FOR YOU floating above the hint of her bosom.
Bluff,
more
than a stain, a specter, haunts the cubicle in which he sits. She
campaigns relentlessly, her skin of varying shades of corn, her hair
flooding over her shoulders, black and straight but for tiny wisps of
curls that cup her chin, her smile slight and her eyes firm.
By the nineteenth day, he can’t take it any more and softly clicks the
popup to see Bluff unfold, full-bodied as Merlot.
The
gamine
flows across the computer screen in lush grape-like tones less
the Mona Lisa and more Gauguin, richer in form, erotic, elicit. For the
next month, he courts Bluff, breaking dates with the mousy girl in HR
and the feline girl in legal. Bluff never talks back, never laughs at
him, smiling in perpetuity with no demands other than that he return,
which he does.
He
begins
to change his dress, favoring more formal over more casual. He
joins a gym, his belly rather quickly collapsing into ridges of muscle.
His arms grow larger, and he stops shaving the hair off his chest. He
stops smoking and only drinks on special occasions.
When his boss begins to suspect their relationship, he takes Bluff home. It’s the right time, anyway. There she goes to live with him, and live they do, separated only by a screen. Before he goes to bed each night, he calls her, enlisting her to his dreams.
Copyright
© 2009
971 MENU