

Matthew Solan
Closing
Time
My mother says I need to pick up my father at
the bar again. “He’s
staying to help close up,” she says. She wears a cotton housedress she
bought
at Eckerd Drugs for two dollars. I look at the clock on the TV. It’s
almost eleven p.m. and MASH is almost on. I ask if I can go later and
she says,
“Whatever, I
don’t care,” and reaches for her cigarettes in her front
pocket, but
it’s empty.
“Why is he helping to
close up?”
My mother puts her
hands
on her large hips. “I don’t
know.” She walks into the kitchen. “I need
you to
go get him. He has no ride home.”
I hear her shake a
fresh
pack of Salems from a carton she keeps in the cupboard and then she
shuffles
back to her bedroom. The TV voices are muffled behind the door.
My mother has owned the
bar for two years. She named it Duffy’s Tavern after a golden retriever
we once
had who got too big for the house and she gave him away. It’s in an
older part
of downtown with more empty shops than open ones, but the rent is cheap
and the
area is supposed to be coming back. She gets by catering to day
laborers,
who pay with crumbled dollar bills. A year ago it got a reputation with
bikers
as the place to hang out. Bikers from across the state make sure to
stop on
their way to Daytona Beach for Bike Week in the spring.
My father is popular
there. He can talk with anyone about anything. He talks to people no
one wants
to and that’s what they like about him. He walks over from his job at
the post
office where he has sorted mail for twenty-five years. My mother drops
him off
at eight a.m.
and they usually drive home from the bar. Sometimes he gets drunk
during the chitchat, sometimes he doesn’t. You never know. He doesn’t
help my
mother run
the bar. I don’t think she wants his help, but she seems to resent he
doesn’t
offer. He drinks for free and talks to the lonely patrons with
wrinkled
money and rough hands.
After my show, I dig
for
the keys in my mother’s deep pocketbook. I’d rather take her car. I
have to
shake it several times to hear the jingle and then feel around. I come
across
bingo dabbers and shreds of tobacco. I drive her Buick across the river
into
downtown. There are few lights and the streets are empty. Everyone is
home and
in bed. I wonder if my father is drunk and how he will feel for work
the next
morning.
My mother acted
indifferent to the late nights at first. Once she called the bar “your
father’s
favorite plaything,” but that was it.
One night I came home from a
movie and
saw her bedroom light on. The TV on the dresser flashed an ad for The
Wheel of
Fortune.
She sat with her knees up, a well-worn paperback folded nearly half.
Her
glasses were pushed to the top of her head and she held the book inches
from
her face. Next to her, on my
father’s pillow, was a crust of dried vomit. Some had carved a
path down
onto the sheets.
“What happened?” I stared
at the
brown pillow.
“Your father got sick,” she said without
looking up. I
wondered
why she hadn’t cleaned it up, or if it bothered her, and whether she
would
sleep next to it. She turned a page.
The other times I
picked
up my father was because he couldn’t drive and my mother didn’t want to
get
him. He never seemed like he had been drinking. He didn’t smell of
cheap beer from the tap. No stagger or excessive anger or
happiness. He
was just himself. The only way I could tell was if he repeated words.
Once, he
climbed in and asked me about the radio. The volume would suddenly go
up and
down.
“I need to get it fixed,” I said.
He played with the dial, but
the volume
wouldn’t change. He sat back. “That’s very unusual. It just started to
do that?”
I rolled down the
window. The breeze made him pat down his thinning hair. “Yes. I thought
one of
the bar guys could look at it.”
“That’s very unusual,”
he said. “Very unusual.” I inhaled the river as we drove over it. “It
just does
that? That’s very unusual, very unusual,” he said.
A few lights burn
inside the bar as I drive up, and a dim, yellow glow is cast on the
creaky
steps leading to the front door. The door is locked and I peer through
the
dirty window next to the giant shamrock my mother chose as a sign.
It’s like
looking in a fun house mirror where shapes are distorted. I
don’t see
the usual bartender, the older woman with the long braid whose
name
always escapes me.
My father is near the back by the two pool tables. He drags a mop back and forth across the wooden floors. All the stools are tucked under the bar’s lip in a long neat row. Two stuffed trash bags lie nearby. I wipe the window with my palm and watch him work. After each pass he dunks the mop into the yellow industrial bucket and squeezes out every drop, shakes it twice, and goes back and forth in slow, steady strokes. I have never seen him mop before. It has his full attention.
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